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Product DetailsSmall size. Bigger possibilities.
In a “footprint” of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8 mono input channels and 4 stereo channels and provides 12 XMAX™ Class A solid-state mic preamps. (Well, okay, it actually has 13 XMAX preamps; the Talkback input has one, too.)
But don't let its size fool you; the 16.0.2 is jam-packed with features and processing power, employs the same workflow and easy-to-use mixing-surface design as the bigger StudioLive boards, and sounds every bit as good, with the same high-definition, wide-dynamic-range, digital converters.
More than a mixer: an integrated system.
The 16.0.2 integrates a 16x16 FireWire interface and comes with Capture™, Studio One Artist™ recording and production software, and Virtual StudioLive, bidirectional control software.
Our first compact mixer with MIDI control from a footpedal.
Moreover, a glance at the rear panel reveals that "Junior" offers something the two bigger boards don't: MIDI In and Out. You can recall Scenes from a DAW using MIDI Program Changes, control the main output volume and effects level, and even mute effects between songs—all thanks to the magic of MIDI control.
What was then is now: complete store and recall.
Two factors work against getting that Perfect Mix with an analog mixer. First, the Perfect Mix can be hard to reproduce a week, day, or hour after you perfect it. And second, a good mix should be dynamic: levels, effects, and EQ should be tailored to each song or segment of the show, service, or presentation.
StudioLive solves this problem by letting you save all of your digital settings for quick setup and recall.
Features
8 mono mic/line channel inputs, each with:
- High-headroom Class A XMAX™ mic preamplifier
- XLR mic and balanced ¼" line inputs
- 60 mm precision fader
4 stereo line channel inputs, with:
- High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)
- XLR mic inputs (Ch. 9, 11, 13, and 15)
- Balanced ¼" line inputs (Ch. 9-16)
- Unbalanced RCA line inputs (Ch. 13-16)
- 60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
- 3-band semi-parametric EQ (individual band on/off)
- Full-featured compressor
- Standard downward expander
- Limiter
- Phase reverse (12 mic preamplifiers only)
- Pan with dedicated 15-LED display
- Stereo link for input channels and aux buses
- High-pass filter
One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
- Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac® and Windows® includes:
- PreSonus Studio One Artist™ digital audio workstation
- PreSonus Capture™ live-recording software
- PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
- Scene and FX Preset recall
- Main Volume, FXA, and FXB output levels
- FXA and FXB assign/unassign to Mains
Computer system requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows
- Windows XP, Vista, Windows 7 (32- and 64-bit)
- Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
- 1 GB RAM (2 GB or more recommended)
Macintosh
- Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
- Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
- 1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
- IEEE 1394 FireWire 400 Port
- Internet connection recommended
- DVD-ROM drive
- Internal or external 7200 RPM storage drive highly recommended
Microphone Preamp
- Type XLR Female, Balanced
- Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, 0 / -0.5 dBu
- Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ± 0.5 dBu
- Input Impedance (Balanced) 1 kΩ
- THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
- THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
- EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
- S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -97 dB
- S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -94 dB
- Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
- Gain Control Range (± 1 dB) -16 dB to +67 dB
- Maximum Input Level (unity gain) +16 dBu
- Phantom Power (± 2 VDC) +48 VDC
Line Inputs, Balanced
- Type ¼" TRS Female, balanced mono
- Frequency Response to Direct Outputs (at unity gain) 10 Hz-40 kHz, 0 / -0.5 dBu
- Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance
10 kΩ
- THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
- THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
- S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
- S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -94 dB
- Gain Control Range (± 1 dB) -20 dB to +20 dB
- Maximum Input level (unity gain) +22 dBu
Line Inputs, Unbalanced
- Type RCA Female, unbalanced (stereo pair)
- Maximum Input Level +22 dBu
Main Outputs
- Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
- Rated Output Level +24 dBu
- Output Impedance 100Ω
Aux Outputs
- Type ¼” TRS Female, balanced (mono)
- Rated Output Level +18 dBu
- Output Impedance 100Ω
Monitor Outputs
- Type ¼” TRS Female, balanced (stereo pair)
- Rated Output Level +18 dBu
- Output Impedance 100Ω
System Crosstalk
- Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
- Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu
Noise Gate (Expander)
- Threshold Range -84 dB to 0 dB
- Attack Time Adaptive (0.2 - 2.5 ms)
- Release Time 70 ms
- Expander Attenuation Range 2:1
Compressor
- Threshold Range -56 dB to 0 dB
- Ratio 1:1 to 14:1
- Response Time (Attack/Release 0.2 ms / 1.0 s (“Tight”) to 180 ms/1.0 s (“Smooth”)
- Auto Attack and Release Attack = 10 ms, Release = 150 ms
- Curve Types hard and soft knee
EQ
- Type 2nd-order shelving filter (Q = 0.55)
- Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
- Mid 260 Hz to 3.5 kHz, ±15 dB
- High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
Digital Audio
- ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
- DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
- FireWire S400, 400 Mb/s
- Internal Processing 32-bit, floating point
- Sampling Rate 44.1, 48 kHz
- A/D/A Bit Depth 24 bits
- Reference Level for 0 dBFS -18 dBu
Clock
- Jitter <20 ps rms (20 Hz - 20 kHz)
- Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)
Power
- Connector IEC
- Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
- Power Requirements (continuous) 100W
Physical
- Length 15.56 inches (397 mm)
- Width 16 inches (106) mm
- Maximum Height 5.5 inches (140 mm)
- Weight 20 Lbs.
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